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Old Man Logan battles Old Man Hulk.

Apparently you can’t bring back one Wolverine without discarding another. Old Man Logan made his transition to the core Marvel Universe in the aftermath of the regular Wolverine’s death. And now that Wolverine is in the excruciatingly slow process of returning, it’s Old Man Logan’s turn to shuffle off into that good night. Old Man Logan #50 proves to be a fitting, if rushed, series finale.

It’s fitting that writer Ed Brisson wraps up the series with another fight between Logan and Maestro. It mirrors both the beginning of Brisson’s run and the very first Wolverine story. The tone of this rematch is certainly dire enough, with Logan clinging to life while his healing factor fails him and “King” Maestro lording it over a remote town full of terrified subjects. Had Marvel not announced the upcoming Dead Man Logan followup series, there would be legitimate cause to worry about whether our hero can survive this fight.

Brisson’s big strength here is striking a balance between emphasizing the desperation of Logan’s plight and the absurdity of Maestro’s reign. As a smarter, stronger, meaner version of Hulk, this character usually cuts a very imposing figure. But there’s something pathetic about a being who once lorded over an entire world reduced to bullying a small town of a few hundred. As much as Logan himself, Maestro is depicted as old, washed-up and a shadow of the man he once was. All of which makes him the ideal villain with which to see the series to the finish line.

It is a shame that this issue isn’t able to do a little more with the supporting cast/innocent bystanders. This conflict resonates in the way it explores how far and how quickly ordinary people can become corrupted when fear and opportunism are prime motivators. But there’s a point where it feels as though this issue runs out of room (despite the longer page count) and the bystanders are abruptly forgotten in favor of wrapping up the Logan/Maestro fight.

This issue features both Ibraim Roberson and Neil Edwards on art. The two styles blend fairly seamlessly despite the regular back-and-forth. Both artists manage to render detailed, expressive figures balanced out by a grungy, textured aesthetic. It helps that colorist Carlos Lopez is able to create a sense of visual continuity and bring a bleak quality to the remote Alaskan setting.

Despite the rushed nature of the final sequence, this issue does close out the series on a fitting emotional note. Logan is given one, last chance to recapture the life he lost way back in Secret Wars, and he makes his choice. The final word on the Wolverine/Hulk rivalry is delivered. Honestly, this issue wouldn’t be a bad sendoff to the character as a whole. The central goal with Dead Man Logan is going to be proving why Logan’s story should continue for another 12 issues and not simply end right here.

The Verdict

Despite a rushed final act, Old Man Logan closes out the series on a strong note. It highlights the sadness fueling both Logan and Maestro at the end of their lives, as well as explores how quickly decent people can turn to evil. This issue could easily serve as the final word on the saga of Old Man Logan, which sets a higher bar for Dead Man Logan to cross.


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